Anders Rykkja
Anders Rykkja has an MA in Music Business Management from the University of Westminster, London, UK. He obtained his PhD from the doctoral programme INSEPP (Innovation in Services in the Public and Private Sector) at the Inland University of Applied Sciences, Lillehammer, Norway. The topic of his doctoral thesis was the adoption of crowdfunding as an innovative business model in the cultural and creative industries.
Anders is affiliated with UiA's Crowdfunding Research Centre as a researcher in general and in particular with the NRC project CROWDCUL.
Between 2014 and 2018, Anders was the coordinator of Knowledge Works, the national knowledge centre for the cultural and creative industries established and funded by the Ministry of Culture.
Projects
Anders is part of the research project CROWDCUL - Crowdfunding in the Cultural and Creative economy. CROWDCUL is an international research project on crowdfunding that focuses on adoption, effects and implications of this innovative funding strategy in the context of cultural practices. The project is funded by the Norwegian Research Council
Scientific publications
- Dalla Chiesa, Carolina; Rykkja, Anders (2024). Bridging the urban-digital divide: Crowdfunding as an online middleground space. City, Culture and Society. ISSN: 1877-9166. 37doi:10.1016/j.ccs.2024.100580.
- Rykkja, Anders; Shneor, Rotem; Mæhle, Natalia; Munim, Ziaul Haque (2024). Cultural Crowdfunding: Does Experience Matter?. Beta. ISSN: 0801-3322. 37 (1). s 1 - 18. doi:10.18261/beta.37.1.7.
- Shneor, Rotem; Mæhle, Natalia; Munim, Ziaul Haque; Rykkja, Anders (2024). What drives crowdfunding intentions of artist-entrepreneurs? – Evidence from Norway. International Journal of Entrepreneurship and Innovation. ISSN: 1465-7503. doi:10.1177/14657503241282939.
- Rykkja, Anders; Bonet, Lluis (2023). Adjudicación de fondos de contrapartida al micromecenazgo cultural por parte de los gobiernos: un análisi comparativo exploratorio de los casos español y sueco. Debats. Revista de cultura, poder i societat. ISSN: 0212-0585. 137 (1). s 116 - 141. doi:10.28939/iam.debats-137-1.7.
- Munim, Ziaul Haque; Franken, Guro Berg; Rykkja, Anders (2023). Norske folkefinansieringskampanjer – en analyse. Praktisk økonomi & finans. ISSN: 1501-0074. 39 (4). s 368 - 380. doi:10.18261/pof.39.4.6.
- Bonet, Lluis; Rykkja, Anders (2023). Why is managerial shared leadership in creative organizations a more resilient, transparent, open, and generous constellation? A case analysis approach. European Journal of Cultural Management and Policy. 13doi:10.3389/ejcmp.2023.12056.
- Shneor, Rotem; Munim, Ziaul Haque; Mæhle, Natalia; Rykkja, Anders; Demattos Guimaraes, Alice; Dalla Chiesa, Carolina (2022). Crowdfunding Adoption by Artists: A comparison of Norway and Brazil. Proceedings of the International Conference on Crowdfunding Research. ISBN: 978-82-693153-0-1. Universitetet i Agder. s 29 - 30.
- Thorkildsen, Kjersti; Rykkja, Anders (2022). Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries. International Journal of Music Business Research. ISSN: 2227-5789. 11 (2). s 47 - 58. doi:10.2478/ijmbr-2022-0006.
- Rykkja, Anders; Hauge, Atle Jensen (2021). Crowdfunding and co-creation of value The case of the fashion brand Linjer. Culture, Creativity and Economy : Collaborative Practices, Value Creation and Spaces of Creativity. ISBN: 9781003197065. Routledge. Chapter 4.
- Rykkja, Anders; Mæhle, Natalia; Munim, Ziaul Haque; Shneor, Rotem (2020). Crowdfunding in the Cultural Industries. Advances in Crowdfunding: Research and Practice. ISBN: 978-3-030-46309-0. Palgrave Macmillan. 18. s 423 - 440.
- Rykkja, Anders; Munim, Ziaul Haque; Bonet, Lluis (2020). Varieties of cultural crowdfunding: The relationship between cultural production types and platform choice. Baltic Journal of Management. ISSN: 1746-5265. 15 (2). s 261 - 280. doi:10.1108/BJM-03-2019-0091.
- Rykkja, Anders; Knutsen, Kristin (2023). Teater ber om spleis på 25 millioner: – Sjokkert over beløpet.
- Bonet, Lluis; Rykkja, Anders (2023). Attempting or Abstaining? Is it a win or a loss? An organisational typology of drivers and barriers for implementing Institutional Crowdfunding..
- Rykkja, Anders; Shneor, Rotem; Munim, Ziaul Haque; Dalla Chiesa, Carolina; Schlott, F. (2023). How productive are Patreon creators? A view of incentives at the margins.
- Demattos Guimaraes, Alice; Mæhle, Natalia; Rykkja, Anders; Bonet, Lluis; Munim, Ziaul Haque (2023). The global phenomenon of cultural-creative crowdfunding: an international analysis of success, sectorial adoption, and Covid-19 effects.
- Munim, Ziaul Haque; Demattos Guimaraes, Alice; Rykkja, Anders; Mæhle, Natalia (2023). A bibliometric literature review of culture crowdfunding literature.
In social media
Last changed: 27.02.2024 16:02