Gå til hovedinnhold

You are now on UiA's old website. The information you find here may be outdated.

Visit our new website

0
Jump to main content

Ingvild Koksvik

Researcher

Ingvild Koksvik is a Norwegian singer and song-maker. Her career includes several albums with original music, commissioned works for festivals, and substantial touring as a live artist in Norway and Europe. She holds a master’s degree in musicology from the University of Oslo, where she also spent two years as a research assistant. 

Koksvik’s doctoral project deals with how notions of space influence aesthetic, performative, and compositional aspects of popular music record production. By addressing the practice-based study of the production of her third solo album as a recording artist, Koksvik investigates the relations between the compositional intention, the materialization process, and the aesthetic outcome. Moreover, the project seeks to demonstrate how mixing in the 3D format Dolby Atmos sets new premises for staging compositional design from a recording artist and song-maker’s perspective.

Academic interests

Record production

Song-making 

Selected publications

Ingvild Koksvik (2022). Mørketidssanger, Fyrlyd Records

Koksvik, Ingvild (2016). Og sangen kom fra havet, Fyrlyd Records

Koksvik, Ingvild (2013). Nattåpent, Fyrlyd Records

Ingvild K. Amundsen & Lars Jakob Rudjord (2010). orvilsk! NORCD.

Amherst (2010). A Light Exists in Spring. NORCD. 

Scientific publications

  • Koksvik, Ingvild (2024). Staging notions of space: Realising compositional intention in 3D and stereo record production through Dolby Atmos. Innovation in Music: Cultures and Contexts. ISBN: 9781032611167. Routledge. s 3 - 18.
  • Koksvik, Ingvild (2024). Exploring the Unsayable Aspects of Musical Ideas in Record Production.
  • Koksvik, Ingvild (2023). Exploring Mental Imagery as a Creative Resource in Song-Making and Record Production.
  • Koksvik, Ingvild (2023). Utilizing sound-amplifying hearing protection as a creative tool in song-making.
  • Koksvik, Ingvild (2022). Mørketidssanger.
  • Koksvik, Ingvild (2022). Staging Notions of Space: Developing a Practice-Based Model for Realizing Compositional Intention in 3D and Stereo Record Production.
  • Aksnes, Hallgjerd; Fuglestad, Svein; Koksvik, Ingvild (2020). «...alt går så fort og skal være flinkt...»: Affordanser i GIM-programmet The Romantic Piano.
  • Aksnes, Hallgjerd; Fuglestad, Svein; Amundsen, Ingvild Koksvik (2013). Relating and Reflecting in GIM Therapy: Hearings of “Evening Land” from Ian Leslie’s Awakenings Program.
  • Aksnes, Hallgjerd; Amundsen, Ingvild Koksvik; Fuglestad, Svein E (2012). “The Emotion of Musical Motion and Stillness: Therapeutic Hearings of Jan Garbarek, Mari Boine & Marilyn Mazur’s Evening Land”.
  • Aksnes, Hallgjerd; Fuglestad, Svein E; Amundsen, Ingvild Koksvik (2011). Bonny GIM and Jazz GIM: What|s the diff? A comparative study of transcriptions based on five selected BMGIM programs.

Sectors

Last changed: 6.02.2023 08:02